Music
Music as a suggestive, relaxing medium. Lozanov researched
a wide variety of means for presenting material to be learned, which would
facilitate the mentally relaxed, receptive state of mind he had found to be
optimal for learning.
Yoga
exercises, breathing techniques, special speech intonations were all tried with
varying degrees of success. None of them, however, was found acceptable by
nearly all cultural norms and belief systems.
Music
proved to be the ideal medium, both for the purpose of creating a mentally
relaxed state and for providing a vehicle for carrying the material to be
learned into the open, receptive mind.
Music
can become a powerful facilitator of holistic full-brain learning. After
conducting numerous controlled experiments using a wide variety of music,
Lozanov concluded that music of the Classical and Early Romantic periods was
most effective for the first presentation of material to be learned. The music
of Hayden, Mozart and Beethoven is dramatic, emotionally engaging, ordered and harmoniously structured. It stimulates, invites
alertness and its harmony and
order evoke ease and relaxation. For the second concert presentation of material,
Lozanov found that Baroque music was especially suited. The music of
Bach, Händel, Vivaldi, Telemann, Corelli (among others) have a less
personal, more rigorously structured quality, providing a background of order
and regularity which supports the more straight-forward presentation
of material during the second concert very well.
Intonation
is strongly connected with the rest of the suggestive elements. The
intonation in music and speech is one of the basic expressive means, along with
formidable form-creating influence and potential in many psycho-physiological
directions. “Learning is, state of mind dependent”. When varying your
voice you “reach” different “states of mind”.
Concert
pseudo-passivity (concentrative psycho-relaxation)”
An
important moment in suggestopedia. The artistic organisation of the
suggestopedic educational process creates conditions for concert pseudo-passivity
in the student. In this state the reserve capabilities of the personality are
shown most fully. The concert pseudo-passivity (concentrative psycho-relaxation)
overcomes the anti-suggestive barriers, creating a condition of trust and
infantilization in the student, who in a naturally calm state accompanied by a
state of meditation, without special auto-genic training, can absorb and work
with a huge quantity of information. In this state both brain hemispheres are
activated”. (Creating Wholeness through Art; by Evelina Gateva p.28)